A Russian milk, lollipop, five minutes under the Snow and a first (surprise) an insignificant later, VV & Hotel are entering. Rock manly does more than the male one , which agitated before us is proof flamboyant. entammer The concert by the lascivious URA Fever prove to be the essence of my definition of class . At the outset, the couple amazes us. The eyes are wide open, tongues hanging, mines fascinated. The irresistible aura of poisonous Alison Mosshart penetrates us, its elegance Wild begets nonsense. Tape Song , my favorite, happiness to go with a deep voice and acid, you've got to , you've got to go straight ahead! , somewhat marred by problems relating to mobile telephony . She is playing with us , she poses for me ( first photo), bends at x its endless legs, she sketches of dances tortuous with his microphone, whispers No Wow 's squatting to sing the end straight in the eyes of Sophie . Jamie literally surfs on the soles of his boots classy suede (very soft to the touch, I say), approached the microphone Alison sing like Pete & Carl lips against lips, feigning a headbutt. They put on a show, establishing a relationship with us vériatble, it is enjoying it. Hotel introduces us to different sound, giving punches to his guitar. He drops his tab, grabbed by my Jacqueline at the cost of hilarious fight with a thirty gallant little. Kissy Kissy the unspeakable, the public resulted in the maze of deep intoxicating looks sweet delights that will launch the modern Bonnie and Clyde. He murmurs, his eyes intently lost, he snapped his heels against the boards, runs his race with ease, takes off his left hand accoups, all this over our heads disbelieving, our hands outstretched hand for me worth an adorable smile from Alison Mosshart when my fingers were deposited on the tip of his golden booties. Later apperçoive without her, I pick a piece of leather, a relic that I will keep gloriously pinched between thumb and forefinger until the way back. She camber, off her headscarf, chews on his thumb wrapped in telephone cord connecting the electro-acoustic blood to the amp, did you get The Real good ones . My heart can do more than fight for it , who crawls, drinks, bends, perches, sways, grabs his belt, rolls, sets, pendants bites her, climbs, twists, ramp, is killed by a Jamie Hince mimicking the impact a gun pointed at her, illustrated by his black Fender. I Want You to Be crazy 'cause you're stupid baby when you're sane him robotics it mesmerizing. Wielding the foot suggestively with his microphone, raising his chin, throwing his sweaty hair sublime black ink violently back. Fried My Little Brains sung in chorus, before our lighters soft rock rhythm Goodnight Bad Morning . They leave. We applaud wildly without really hope for a recall. Against all odds, the reappearance of the duo, the "Will you marry me, um, Will You Marry Me?!" "VV're good!" "VV I love you" "Yeah, me too!" "Jaymèèèy" burst out and laugh are concerned, left for two songs. The beautiful is beat . A final moment, theatrical brutal , which will modify the design that we made a concert amazed by such staging . She beckons. Hasta la vista baby , I would say.
We sit down, upset, back against the stage. A bearded pepper and salt, we hunt with vehemence, the room will be empty in a quarter of an hour, watch in hand. We cling to each other, waving our treasures, our sporting trophies, staggering under the weight of memory abrupt. Fuck, The Kills. 
